Tag Archives: mixed media

things of this nature

17 Apr

Untitled-1 Untitled-2 Untitled-3 Untitled-4 Untitled-5 Untitled-6Untitled-7 A talented artist, Carney Oudendag, is someone who I am proud to not only call a friend, but a fellow collaborator. Her and I have worked on two projects in the past; a multi-colored screenprint edition and a mixed-media accordion book. Our next project (which we are currently working on) was prompted by the discovery of 7 unused panel boards during a studio clean-up. When I mentioned my find, Carney admitted to having some spare canvases laying around the studio and said she would happily donate them to a new series of collaborative works!

The project has evolved a bit over the past few months, but in a nutshell, we are both be altering and adding to 14 pieces (7 board, 7 canvas). Our guiding theme and title of the show is Things of this Nature, a notion that rings true even in our solo work. Animal, insect, environmental, botanical or otherwise natural influences are at the forefront of our inspiration for this series. The only true stipulation is that the works must be finished and ready to hang at Pynelogs in Invermere, for our show August 4th-16th.

Above are the 7 panel boards that I began with and put my magic on. These are now in Carney’s studio, waiting for her additions and alterations. Meanwhile I have her 7 canvases, which I’ll share with you in a later post). After we both add to each others work, we plan to come together for a mini-residency to put finishing touches on the pieces and title them. I am very excited to see how this series evolves and what beautiful works emerge from the combination of our creative skills.

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girl crush: Charlotte Caron

5 Jan

charlotte_caron_4_20120522_1734477467 charlotte_caron_18_20120522_1350918441 ours-polaire2I don’t often share my gushing over other artists, because there are just so many amazing contemporary artists to ooh and aah over… but when someone’s work literally renders me speechless, I consider it to be share-worthy. I have a massive girl crush on French painter Charlotte Caron and her series of incredible hybrid portraits! “This series of paintings, photographs, are trying to respond to a form of duality… ultimately creating an osmosis between the two mediums, between the animal and the portrait.” Such a beautiful idea and so gorgeously executed. Screen Shot 2013-01-05 at 5.55.36 PM

snuggling up to my sketchbook

31 Dec

As I mentioned yesterday, I am hoping to become much better friends with my sketchbook in 2013. There is something to be said about collecting thoughts, visuals, ephemera, and ideas between pretty, patterned and colorful bound pages. And, correct me if I’m wrong, but sketchbooking regularly can help things surface in your work and make them more obvious: trends, themes, subconscious thoughts, exploration, successes, failures, starting points, etc. I wanted to share a bunch of ways to make sketchbooking easy, approachable and fun, because you can do so much more than just draw in your sketchbook! sketchbooking1Get messy: paint, draw, scribble, tape, scratch, even cut! Gone are the days where you should worry about marker bleed-through, or squishing paint over the edges of the page: sometimes those ghost images from previous pages can help inspire your next creation.  Have you ever heard of “Wreck This Journal” by Keri Smith? Essentially each page has a prompt to get you instantly making and creating, instead of being intimidated by the blank page. For those looking to go on a creative sketchbooking adventure with NO limitations, you should pick this one up, or check out this Flickr group where people share their finished “wrecked” pages. sketchbooking2Slap it on there: collage, attach, tape, glue, or tuck in little bits of memorabilia. As someone who loves to look at visual clutter  for inspiration (have you seen my studio walls?) it makes sense to create little visual collections in a sketchbook as well; there just aren’t enough walls to hang up all the awesome paper ephemera I come across. Add in colored/textured/patterned papers, tape down a cool image, glue in bits and bobs, slap on a sticker or stamp, etc. Adding any or all of these things creates visual interest, layers and texture, and can also be inspiration for mixed media layers, or an adjacent page.  A person who never turns a book page without adding a little ephemera or a line of washi tape to it, is my pal Zie Campbell who loves to do Smashbooking (just like a sketchbook with a scrapbooking twist). sketchbooking3Just Doodle: no one said it has to instantly be a masterpiece! One of the greatest things about a sketchbook is that there shouldn’t be any expectations. You aren’t drawing on a fancy rag paper, or an expensive canvas… it’s just ONE page of a big book, so don’t be scared! Just doodle from your mind, draw a quick silly cartoon, sketch from a photograph, or go for a walk and draw your surroundings. It may be one of the best drawings you ever make (amazing things happen when there are no expectations or pressure), or if your drawing turns out poorly and you’re unhappy with it, it can easily be covered with paints or collage so that you can start a new image with a fresh approach (like above). My friend Ella Masters always makes my heart melt with her adorable little sketchbook illustrations. She usually just explores using graphite with subtle splashes of watercolor or colored pencil, and her doodles often stem as inspiration her larger creations/bodies of work, like her recent series of bearded/tattooed men.

I hope my new sketchbook pages, the few of the artists I’ve shared, and the three media tips help get you exploring and doodling with me! It feels good to have a renewed dedication to an artistic outlet I have always enjoyed. I’ll make sure to continue sharing my progress in the New Year, along with other art techniques, and be sure to share yours as well (either with a link in the comments below or e-mail me).

And so I’ll end this post with one hand waving goodbye to 2012, and the other holding a sketchbook for 2013.